One continuous shot, 12 seconds, cinematic, photoreal, no cuts. Camera: slow dolly in, low — camera at knee height, 28mm lens, moving steadily forward behind the worker; no pan, no tilt, no zoom. He walks away from camera down a cramped night station corridor, cold blue strip lights, haze, wet floor reflections. He stops at a low ventilation grille on the right wall; a metallic rattle starts inside. Then the grille slats flex outward, once, hard, as if something presses from inside, and the strip light above him flickers twice. He takes one slow step back, never turning fully. Sound: low station hum, his footsteps, the rattle, the flexing metal, a fluorescent stutter, his breath. No music. No text anywhere.
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