Use case: historical-scene. First frame for Mother's Hands. Both references show the SAME woman at earlier ages. Keep the same mother's facial structure: grey-green eyes, broad cheekbones, slightly long straight nose, small facial moles near the mouth, chestnut side-parted low bun. Change only her age as specified, never cast a new actress. Now depict her at age 65 in autumn 1989: believable age progression of exactly the same face, soft natural wrinkles, grey side-parted hair in the same low bun, same distinctive facial moles and eye colour. She sits alone on the LEFT side of a plain worn wooden courtyard bench, with a clearly EMPTY seat on the RIGHT beside her. Modest beige-grey wool coat, muted scarf at her neck, no head covering that hides the face. Both hands rest naturally together on her lap. Medium seated three-quarter shot: her face, hands and empty space beside her all clearly readable. She looks slightly toward a path beyond camera right with quiet thoughtful sadness and dignity, no theatrical crying. A modest Soviet residential courtyard with old plaster building, a little autumn foliage and soft late-afternoon light; no people, cars, memorials, graveyard, signs or modern objects. Photorealistic same actress many years later, not a generic unrelated elderly woman. Photorealistic Soviet colour feature film, natural soft daylight, restrained teal and amber, warm skin, fine subtle film grain, unglamorous naturalism and believable anatomy. Vertical 9:16 single full-bleed image. No titles, captions, readable letters, signage, logos, watermark, collage or modern objects.
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