Image - 2026-10-11 19:17

A polished studio concept art board — a single composite page that reads as a high-end pre-production pitch deck for an animated short. NOT a vintage pencil sketch, NOT a finished movie frame, but a polished concept page in the visual treatment described below. Layout: TOP HEADER (left): bold modern display typography for the title "Я хочу сделать обзор района Исмоили Сомони города Душанбе для инстаграм странички агентства недви...", with a small stylised glyph next to it (sparkle, comet, or motif matching the visual treatment). Below in smaller crisp print: "OPENING SEQUENCE • DRAFT • LOW-POLY DIGITAL ILLUSTRATION, FACETED GEOMETRIC 3D SHAPES, FLAT CLEAN GRADIENTS, SOFT STUDIO LIGHTING". TOP HEADER (right): a tidy "CHARACTER LINEUP" sub-heading set in the same typography. CENTER GRID: 7 numbered storyboard panels in a 3-column grid. Each panel is a softly rounded card with a thin warm-grey border and a delicate drop shadow (studio pre-prod board look). Inside every panel: a finished miniature of the action — rendered in the visual treatment described below. Top-left of each panel a small bold numbered tab (01, 02, 03…) and bottom-right an "X.Xs" timing tab — both set in clean modern typography (NOT hand-lettering). Panels: Panel 01 (5s): Static wide low-poly panorama of modern residential towers, a broad avenue and a green strip far away under soft daylight; the frame is empty of people. Panel 02 (4s): Medium tracking shot in a low-poly park with crystal trees, paths, exactly two empty benches and green lawn planes; Sam is mid-stride left to right, folder in his right hand, da... Panel 03 (4s): Medium tracking shot on a wide faceted alley; the monumental domed parliament is behind Sam on the left, rows of crystal trees, exactly two fountains and flags line the path; Sa... Panel 04 (4s): Medium-wide shot of low-poly apartment blocks with ground-floor shopfronts, a tidy school building on the right with closed doors and an empty bus stop shelter; Sam walks in mid... Panel 05 (4s): Wide shot of a broad modern low-poly avenue with fresh residential towers receding into the depth; Sam is mid-stride on the sidewalk at the left third, folder in his right hand,... Panel 06 (4s): Medium shot at an intersection: exactly six faceted cars stand bumper to bumper behind Sam; Sam is still mid-step, slowing, folder in his right hand, daylight. Panel 07 (5s): Medium shot on a bright open overlook with a soft panorama of the residential blocks behind; Sam is mid-step arriving from the left, folder in his right hand, the space at right... RIGHT SIDEBAR (about 22% of page width): character model sheets. For each character below, render 3-4 polished turnaround sketches — front view, three-quarter view, profile, and a dynamic action pose — each in the visual treatment described below. Character name set in crisp modern typography above each set: САМ — Early 30s male with tan skin and an oval face. Features slicked-back dark hair, thick eyebrows, and dark almond eyes. He has a prominent ... BOTTOM STRIP: a horizontal timeline ruler with seconds markings (0, 5, 10, 15… up to total duration), tick marks aligned to the panel durations above — clean vector look, not hand-drawn. Below the ruler, a tidy notes row: STORY / FLOW • ANIMATION • TIMING & RHYTHM • CAMERA — each with 2-3 short polished bullet points in crisp typography (you can invent plausible production notes from the story). VISUAL TREATMENT FOR PANELS AND CHARACTER LINEUP (THIS IS THE CRITICAL PART): polished pre-production concept render in the "low-poly digital illustration, faceted geometric 3D shapes, flat clean gradients, soft studio lighting" visual treatment — apply that style as the dominant aesthetic across every panel and character thumbnail consistently. Keep the studio mood-board feel: crisp typography, soft card shadows, no aged-paper or pencil-sketch look, no mixed styles. OVERALL STYLE: high-end studio mood-board page with the visual treatment above carried through every panel and every character render consistently. Clean modern typography, soft drop shadows on cards, occasional smooth-gradient accents in the margins (sparkles, stars, arrows). NO aged-paper look, NO hand-pencil sketches, NO mixed styles — every miniature on this page is rendered in the same single visual treatment described above. This is a polished pre-production concept page, finished enough to pitch in a studio review meeting.