Art style: 2D Hand-drawn.
Full-length view, the entire figure visible from head to feet, standing upright, centered in frame — Arthur Coga, a poor mid-1600s English volunteer, a lean gaunt man in his late thirties, pale weathered skin, hollow cheeks and tired sunken eyes, an unkempt light-brown beard and shaggy shoulder-length hair. Thin wiry build, slightly stooped shoulders. He wears a threadbare coarse linen shirt open at the throat, a patched brown woollen doublet, worn dark breeches, a frayed rope belt, and rough grey woollen stockings; his left sleeve is rolled above the elbow exposing a bandaged inner arm from bloodletting. Scuffed leather buckle shoes with cracked soles. He stands nervously in a dim 17th-century experiment chamber with stone walls, wooden benches, glass tubes and a bleeding basin. Anxious, wary expression, one hand clutching his rolled sleeve.
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FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt):
Render this image in the following art style:
Classic 2D hand-drawn animation, clean expressive outlines, simplified shapes, soft cel shading, illustrated backgrounds, traditional animated-film aesthetic.
Every surface, skin, fabric, material, and environmental element must be rendered in this idiom.
