Art style: Motion Comic. Full-length view, the entire figure visible from head to feet, standing upright, centered in a dim Edinburgh dissection theatre. A Victorian-era Edinburgh anatomist and surgeon in his early fifties: gaunt angular face, sharp cheekbones, pale sallow skin, deep-set grey eyes behind small oval wire spectacles, greying dark hair swept back, close-trimmed side-whiskers. Lean tall build, slightly stooped. He wears a high-collared white shirt, black silk cravat, a long dark charcoal frock coat over a grey waistcoat with a brass watch-chain, and an oilcloth apron stained faint brown, over narrow black wool trousers and worn black leather ankle boots. One hand holds a gleaming scalpel, the other rests on a wooden dissection table. Cool lantern light, shelves of specimen jars and iron restraints behind, guarded solemn expression. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image in the following art style: modern semi-realistic digital comic / motion-comic illustration — bold sketchy crosshatched linework especially around large expressive eyes, soft cel shading with painterly gradients, cinematic lighting contrast (warm-to-cool twilight glow against cosy teal-and-amber interiors), mostly static illustrated panels animated with subtle cinemagraph motion: gentle hair drift, slow blinking, soft breathing, slight parallax between foreground and background, slow camera pans and zooms rather than full frame-by-frame animation. Every surface, skin, fabric, material, and environmental element must be rendered in this idiom.
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