Art style: Retro Village Comedy. Full-length view, the entire figure visible from head to feet, standing upright, figure centered in a cramped small-town housing-agency office with wood-panelled walls, a cluttered desk, a rotary phone, filing cabinets and a fly-specked window behind him. A fictional second office agent — a stocky man in his late forties, ruddy round face, bulbous nose, small suspicious grey eyes, thick greying eyebrows, receding hairline with hair combed sideways, a bushy salt-and-pepper moustache and a permanent five-o'clock shadow. Broad shoulders, slight paunch. He wears a slightly-too-tight beige short-sleeved shirt with a wide brown tie loosened at the collar, dark trousers hitched high with a worn leather belt, and scuffed brown leather loafers. He clutches a clipboard and a chewed pencil, one eyebrow raised, wearing a sly persuasive half-smile as if reassuring a nervous client. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image in the following art style: 1960s Soviet colour film comedy aesthetic — Sovcolor film-stock look with a warm faded ochre-green palette, soft contrast, sun-blown highlights, visible film grain and slight gate weave, real rural village locations (whitewashed clay cottages with thatched roofs, wicker fences, sunflowers, geese and chickens underfoot), mostly tripod-mounted wide and medium shots with smooth pans following the action, theatrical operetta-style acting with exaggerated facial expressions and comic pauses, vivid folk costumes, lively physical slapstick. Every surface, skin, fabric, material, and environmental element must be rendered in this idiom.
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