Art style: Claymation. A medium shot of Miles sitting in a dark, cluttered office. He is staring at an antique, bulky cathode-ray tube monitor that flickers with a grainy green light. The office is filled with stacks of old newspapers and a half-empty coffee mug. The only light comes from the screen, casting a sickly glow over Miles's face. His expression is one of intense concentration. The atmosphere is stagnant and lonely. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image in the following art style: high-end 3D cinematic claymation / stop-motion — hyper-stylized cartoon proportions with sharp geometric heads, huge bulging matte-white eyes with tiny sculpted pupils, sculpted hand-painted hair. Skin and hair show a tactile polymer-clay texture with subtle surface imperfections, slight bumps, soft matte finish — looking exactly like a physical hand-sculpted clay model. Clothing and accessories rendered hyper-realistically (glossy nylon, ribbed knit, leather, metal). Cinematic warm ambient practical-source lighting. 8k Octane render quality. Every surface, skin, fabric, material, and environmental element must be rendered in this idiom. Character appearance reference (MUST match exactly): - Miles Vance: A man in his late fifties with a weathered, rugged face marked by deep character lines and heavy bags under tired, sharp eyes. He has short, messy salt-and-pepper hair and a thick patch of grey stubble on his jaw. His expression is one of perpetual exhaustion mixed with keen observation. He stands in a dimly lit, smoke-filled office with old paper files scattered around. The lighting is harsh side-lighting from a desk lamp, creating high-contrast shadows that emphasize his craggy features. He has a sturdy, slightly slumped build, looking like a man who has carried the weight of the world for too long.
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