A seamless tileable wallpaper pattern, flat straight-on view of the printed surface only. The surface imitates polished venetian plaster with soft marbled veining: broad cloudy areas of tone drifting into one another, crossed by thin irregular veins that branch and fade out rather than ending abruptly. The veining is sparse and unhurried, never dense, never symmetrical, with large calm areas of almost plain surface between the marked passages. The scale is generous — one full drift of veining spans roughly half the image. Palette: pale warm grey and soft pearl white only, with the faintest hint of cool silver in the deepest veins. Extremely low contrast, everything within a narrow value range, as if lit by flat daylight. The finish is subtly tactile: a fine mineral tooth across the whole surface, with a few barely visible trowel marks catching a soft matte sheen. Flat rendering with no volume, no cast shadows, no directional lighting, no gradient across the frame. The design must tile seamlessly: any vein or tonal drift touching an edge continues exactly onto the opposite edge, with no interrupted shapes and no empty margin. Even visual weight across the whole square, no clustering, no border, no focal point. No perspective, no lighting gradients, no vignette, no wall, no room, no mockup, no frame, no text, no watermark.
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