An abstract monochrome 3D sculpture, translating the visual language of a typeface into architectural form. The attached image is the type specimen that defines this language — study its construction and abstract it, do not depict letters. Construction principle: squared-off volumes with compass-drawn turns. The sculpture is built from flat rectilinear slabs and blocks that resolve into pure circular arcs — cylinders, half-cylinders and quarter-round bends grafted directly onto straight prismatic forms. Every curve is a perfect circular segment, never elliptical, never a soft organic blend. The junction where a flat plane meets a circular turn is crisp and legible, like a stroke joining a bowl. Uniform thickness throughout: every slab, column and arc has the same heavy, monolinear depth, as if the whole object were cut from one constant-width ribbon of material. Character: heavy, squat, grounded, archaic — the proportions of an old grotesque, not an elegant modern one. Constructivist architecture: a cylinder driven into a rectangular block, a cantilevered slab, a circular void punched clean through a flat wall. Tectonic and structural, purely functional, zero ornament. Confident and industrial, calm rather than aggressive. Form: a single self-contained sculptural object, seen from a three-quarter angle, monumental in scale — it reads like a building or a piece of heavy machinery. Solid mass with clean drilled circular apertures. Sharp unbeveled edges on the straight sections, mathematically exact radii on the turns. Material and light: matte plaster or unpainted concrete, no gloss, no reflections. Strict monochrome grayscale — white, light gray, mid gray, deep charcoal. Hard directional light from the upper left, producing sharp geometric shadows and a wide tonal range: brilliant white on the lit planes, deep shadow inside the circular voids and behind the cantilevers. Plain neutral gray background, no environment, no floor detail. Clean high-detail 3D render, studio lighting, square 1:1 aspect ratio. Negative prompt: letters, text, typography, readable glyphs, words, elliptical curves, organic blends, soft rounded blobs, tapering thickness, varying stroke width, ornament, decoration, color, glossy reflections, chrome, metal, wood, fabric, busy background, human figures
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