Image - 2026-07-11 13:47
A polished studio concept art board — a single composite page that reads as a high-end pre-production pitch deck for an animated short. NOT a vintage pencil sketch, NOT a finished movie frame, but a polished concept page in the visual treatment described below. Layout: TOP HEADER (left): bold modern display typography for the title "Розочки: Драма в 4 акта", with a small stylised glyph next to it (sparkle, comet, or motif matching the visual treatment). Below in smaller crisp print: "OPENING SEQUENCE • DRAFT • 3D PIXAR". TOP HEADER (right): a tidy "CHARACTER LINEUP" sub-heading set in the same typography. CENTER GRID: 4 numbered storyboard panels in a 3-column grid. Each panel is a softly rounded card with a thin warm-grey border and a delicate drop shadow (studio pre-prod board look). Inside every panel: a finished miniature of the action — rendered in the visual treatment described below. Top-left of each panel a small bold numbered tab (01, 02, 03…) and bottom-right an "X.Xs" timing tab — both set in clean modern typography (NOT hand-lettering). Panels: Panel 01 (10s): Уютная кухня в предрассветных сумерках, освещенная холодным светом 4200К из окна. На старой деревянной доске разложена длинная полоска сырого теста, тонкие дольки красных яблок,... Panel 02 (12s): Кухонный стол под резким, направленным светом 4000К, создающим глубокие тени. На доске царит беспорядок: полоска теста слегка надорвана, несколько яблочных долек рассыпаны вокру... Panel 03 (11s): Темная кухня, освещенная лишь теплым оранжевым сиянием 3800К, исходящим изнутри духового шкафа. Маленький оранжевый абрикос стоит на цыпочках, прижав лапки к чистому стеклу духо... Panel 04 (12s): Светлая, залитая золотистым солнечным светом 3500К кухня. На переднем плане маленький оранжевый абрикос с гордо поднятым зеленым листочком и сияющими глазами держит в лапках иде... RIGHT SIDEBAR (about 22% of page width): character model sheets. For each character below, render 3-4 polished turnaround sketches — front view, three-quarter view, profile, and a dynamic action pose — each in the visual treatment described below. Character name set in crisp modern typography above each set: Паша — Маленький антропоморфный оранжевый абрикос с невероятно нежной, бархатистой матовой кожицей и крупными, блестящими темно-карими глазами, ... BOTTOM STRIP: a horizontal timeline ruler with seconds markings (0, 5, 10, 15… up to total duration), tick marks aligned to the panel durations above — clean vector look, not hand-drawn. Below the ruler, a tidy notes row: STORY / FLOW • ANIMATION • TIMING & RHYTHM • CAMERA — each with 2-3 short polished bullet points in crisp typography (you can invent plausible production notes from the story). VISUAL TREATMENT FOR PANELS AND CHARACTER LINEUP (THIS IS THE CRITICAL PART): hyper-stylized cartoon 3D feature animation in the manner of Pixar — huge expressive eyes, soft sub-surface scattering on skin/fur, warm golden-hour key light, painterly bokeh backgrounds, smooth volumetric forms, glossy material highlights, warm coral and golden accents. OVERALL STYLE: high-end studio mood-board page with the visual treatment above carried through every panel and every character render consistently. Clean modern typography, soft drop shadows on cards, occasional smooth-gradient accents in the margins (sparkles, stars, arrows). NO aged-paper look, NO hand-pencil sketches, NO mixed styles — every miniature on this page is rendered in the same single visual treatment described above. This is a polished pre-production concept page, finished enough to pitch in a studio review meeting.
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