Art style: Cinematic Realistic 3D. A medium shot from behind Agent Knox as he walks away from the SUV and into the heart of the dense forest. He is a dark figure disappearing into a wall of white, volumetric fog and towering black trees. He carries a heavy tactical flashlight, its beam cutting a sharp, conical path into the gloom, illuminating swirling mist and ancient bark. The SUV's taillights provide a fading red glow in the lower corner of the frame. The ground is uneven, covered in thick moss and protruding roots. The atmosphere is one of total immersion into the unknown. The lighting is cinematic and moody, with the bright white of the flashlight contrasting against the deep shadows. The textures of the damp forest and Knox's wool coat are vivid. The scene conveys a sense of finality and a descent into mystery. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image entirely in "Cinematic Realistic 3D" style. Match the lighting grammar, material response, colour science, level of realism / stylisation, line weight, and shading model typical of "Cinematic Realistic 3D". Keep the subject, composition, camera angle, lighting direction, and colour palette from the description above — but EVERY surface, skin, fabric, material, and environmental element must be rendered in the "Cinematic Realistic 3D" idiom, not in any other medium.
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